<del lang="UFNDe"></del>50年代-60年代初波蘭電影學(xué)院派的經(jīng)典作品之一堪稱與同時代意大利導(dǎo)演安東尼奧尼的《奇遇》相比改編自Józef Hen在社會主義波蘭時期被禁的小說 In 1960 his second fil50年代-60年代初波蘭電影學(xué)院派的經(jīng)典作品之一堪稱與同時代意大利導(dǎo)演安東尼奧尼的《奇遇》相比改編自Józef Hen在社會主義波蘭時期被禁的小說 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.詳情
劇情介紹
猜你喜歡
最新劇情片